Sans Superellipse Wiji 6 is a bold, very wide, low contrast, upright, tall x-height font visually similar to 'Midnight Sans' by Colophon Foundry and 'Organetto' by Latinotype (names referenced only for comparison).
Keywords: ui, branding, headlines, signage, logos, futuristic, techy, sleek, retro-future, industrial, modernization, interface clarity, tech signaling, streamlined geometry, display impact, geometric, rounded corners, superelliptical, streamlined, monoline.
A geometric sans built from squarish, superelliptical curves and long horizontal strokes, giving many letters a rounded-rectangle silhouette. Strokes are monoline and sturdy, with softened terminals and consistently rounded joins that keep the forms smooth and engineered rather than calligraphic. Counters tend toward rectangular ovals, and the overall set reads very extended with ample internal space, producing a clean, high-bandwidth rhythm in text. The lowercase keeps a single-storey construction for key shapes (notably a and g), reinforcing the simplified, modern geometry.
Best suited to display roles where its wide, geometric silhouettes can read clearly at a glance—product branding, tech identities, interface headers, dashboards, packaging, and wayfinding. It can also work for short blocks of text in marketing contexts where a contemporary, engineered tone is desired.
The face communicates a controlled, high-tech feel—clean, confident, and slightly sci‑fi—while the rounded corners add approachability. Its proportions and squared curves evoke interfaces, instrumentation, and late-modern/retro-futurist styling rather than editorial tradition.
The design appears intended to deliver a modern, system-like sans with superelliptical rounding and a broad, horizontal stance—optimized for a sleek, technical voice and strong recognizability in large sizes.
Letterforms show a strong horizontal emphasis, with flattened rounds in C/O/Q and similarly streamlined bowls in B/P/R. The numerals follow the same rounded-rectangle logic, staying highly schematic and signage-like, prioritizing clarity and uniform texture over expressive modulation.