Sans Other Tiri 13 is a light, narrow, monoline, upright, normal x-height font.
Keywords: ui labels, signage, headlines, posters, branding, techno, modular, retro, futuristic, schematic, tech aesthetic, modular system, display impact, geometric clarity, angular, rectilinear, geometric, minimal, squared.
A rectilinear, geometric sans with squared proportions and consistently thin strokes. Forms are built from straight segments with sharp corners and occasional 45° chamfers, producing a modular, almost grid-drawn construction. Counters tend toward rectangular shapes, curves are minimized, and diagonals appear selectively (notably in V, W, X, Y, and Z). Spacing and proportions feel engineered and compact, with crisp terminals and a clean, outline-like rhythm across both uppercase and lowercase.
Best suited to short-to-medium settings where a technical, digital mood is desirable—interface labels, product markings, wayfinding, and display typography. It can also work for posters and branding that aim for a clean sci‑fi or retro-tech aesthetic, while longer paragraphs may feel visually rigid due to the strongly geometric construction.
The overall tone is technical and futuristic, with a retro-digital flavor reminiscent of early computer, instrument-panel, or sci‑fi interface lettering. Its angular geometry reads precise and schematic, giving text an engineered, minimalist character rather than a warm or expressive one.
The design appears intended to deliver a distinctive, grid-based sans voice that signals precision and technology. By reducing curves and emphasizing squared geometry, it aims for immediate stylistic impact and clear, modular letterforms that remain consistent across mixed-case text and numerals.
Distinctive details include squared bowls and corners, simplified lowercase shapes, and a single-storey approach in letters like a and g. Numerals follow the same rectilinear logic, emphasizing legibility through clear silhouettes and consistent stroke behavior. The design stays visually coherent across the set by prioritizing straight strokes and right angles over calligraphic modulation.