Sans Normal Arnid 15 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Mantey' by Salamahtype (names referenced only for comparison).
Keywords: ui text, web copy, editorial, signage, presentations, neutral, modern, clean, friendly, functional, clarity, versatility, modern utility, neutral branding, geometric, rounded, open apertures, monoline, even rhythm.
This is a clean, monoline sans with a geometric backbone and softly rounded curves. Strokes remain very even across straight and curved segments, with minimal modulation and smooth joins. The uppercase set is simple and orderly, with round letters built from near-circular bowls and the diagonals kept crisp and balanced. Lowercase forms are straightforward and readable, with open counters and uncomplicated terminals that keep texture uniform in running text. Numerals follow the same restrained geometry, with clear, simple silhouettes that sit comfortably alongside the letters.
It will perform well in interface labels, web and app typography, and general-purpose copy where a neutral, modern sans is needed. The even stroke weight and open shapes also suit wayfinding and signage at medium sizes, as well as decks and corporate documents where consistency and legibility are priorities.
The overall tone is neutral and contemporary, aiming for clarity over personality. Its rounded geometry adds a mild friendliness, but the impression remains professional and understated. The spacing and consistent stroke behavior produce a calm, predictable rhythm well suited to informational design.
The design appears intended as a dependable, general-use sans that prioritizes clarity, even texture, and contemporary simplicity. Its geometric structure and restrained detailing suggest it was drawn to integrate smoothly into modern digital and brand systems without calling attention to itself.
The sample text shows stable paragraph color without spikiness, suggesting careful normalization of widths and proportions across the alphabet. Round letters (like O/C/G) feel optically balanced, while diagonals (V/W/X/Y) are kept clean and without decorative cuts, reinforcing a straightforward, modern voice.