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Free for Commercial Use

Sans Superellipse Tebaz 5 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Bourton Text' by Kimmy Design, 'Colatera Soft' by Maulana Creative, and 'Aago' by Positype (names referenced only for comparison).

Keywords: posters, headlines, packaging, signage, logos, playful, chunky, friendly, handmade, retro, impact, friendliness, approachability, informality, retro appeal, rounded, blunt, soft corners, compact, inked.


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A heavy, rounded sans with soft, squarish curves and blunt terminals that create a dense, sticker-like silhouette. Strokes are consistently thick with minimal modulation, and corners are slightly irregular, giving edges a subtly inked or cut-out texture rather than a perfectly geometric finish. Counters are compact and often narrow (notably in B, P, R, 8, 9), boosting the dark color on the page, while bowls and curves keep a gentle, cushioned feel. The lowercase is sturdy and straightforward, with single-storey a and g, short-to-moderate extenders, and a generally compact rhythm that holds together well at display sizes.

Best suited for posters, headlines, packaging, and signage where its thick strokes and soft geometry can read clearly and create impact. It also works well for playful logos and short taglines that benefit from a friendly, handcrafted voice, especially when paired with a simpler text face for longer reading.

The overall tone is warm and approachable, with a playful, casual confidence. Its chunky forms and softened geometry suggest a retro craft sensibility—part comic, part signage—without feeling overly decorative. The slight roughness in outlines adds an informal, handmade flavor that keeps the bold weight from reading as corporate or austere.

The design appears intended as a high-impact display sans that blends rounded-rectangle structure with an intentionally imperfect, tactile finish. It prioritizes bold presence and friendliness over fine detail, aiming for quick recognition and a memorable, upbeat texture in branding and editorial display contexts.

At text sizes the heavy weight and tight counters can make long passages feel dense, but the distinctive shapes keep headings energetic and recognizable. Numerals are stout and graphic, matching the letterforms’ rounded-rectangle logic, and punctuation (like the apostrophe and question mark) carries the same thick, friendly presence.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸