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Free for Commercial Use

Sans Superellipse Afrim 1 is a light, normal width, low contrast, upright, normal x-height font visually similar to 'TheSans' by LucasFonts (names referenced only for comparison).

Keywords: ui text, branding, editorial, signage, presentations, modern, clean, calm, neutral, clarity, modern utility, friendly neutrality, system design, humanist, open apertures, rounded terminals, generous spacing, crisp curves.


Free for commercial use
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This typeface presents a clean sans-serif construction with smooth, rounded curves and restrained, consistent stroke weight. Round letters such as C, O, and Q feel softly squared in their geometry, giving the forms a subtly superelliptical look rather than perfect circles. Terminals are mostly straight and tidy, with gentle rounding at joins and curves; counters are open and roomy, and the overall rhythm is even and unforced. Uppercase proportions are straightforward and legible, while lowercase shapes maintain clear differentiation (notably the single-storey a and g) and a steady baseline presence. Numerals are simple and readable, matching the same quiet, contemporary drawing style.

It performs well for interface copy, product UI, and dashboards where clean shapes and open counters aid readability. The neutral, modern voice also suits branding systems, marketing pages, and presentation typography. At larger sizes, the softly squared curves can add distinctive character for headings and signage without becoming decorative.

The font conveys a contemporary, understated tone—clear, composed, and functional without feeling sterile. Its softly squared roundness adds a mild friendliness, making it feel approachable and modern rather than purely technical. Overall it reads as neutral and confident, suited to content-forward typography.

The design intent appears to be a practical, contemporary sans with a gentle geometric influence—aiming for high clarity and a calm typographic color, while adding personality through subtly superelliptical round forms and consistently rounded curves.

In text, the letterspacing and open counters support clarity, and the rounded-rectangle flavor in curved letters gives the page a subtly geometric texture. The mix of crisp straight strokes and softened curves creates a balanced, editorial-friendly color that stays consistent across uppercase, lowercase, and figures.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸