Sans Superellipse Emdij 3 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'Moveo Sans' by Green Type and 'Sans Beam' by Stawix (names referenced only for comparison).
Keywords: ui design, editorial, branding, wayfinding, data display, modern, dynamic, clean, approachable, technical, clarity, modernization, motion, systematic design, versatility, oblique stress, rounded terminals, open apertures, geometric, crisp.
A slanted sans with a smooth, geometric build and rounded-rectangle curves that keep bowls and counters feeling soft but controlled. Strokes are even and steady, with clean joins and subtly squared-off curves that read as superellipse-like rather than perfectly circular. Terminals are generally blunt and streamlined, and the italic angle is consistent across capitals, lowercase, and numerals. Lowercase forms stay compact and tidy, with open, readable counters and a slightly mechanical rhythm that remains friendly due to the rounded shaping.
Works well for UI and product typography where a slanted emphasis is needed without sacrificing clarity, as well as for contemporary editorial headlines and subheads. Its consistent angle and clean structure also suit branding systems, light wayfinding, and compact data or labeling contexts where letters and numerals must feel unified.
The overall tone is modern and forward-leaning, combining a technical, engineered neatness with an approachable softness. It feels efficient and contemporary rather than expressive or calligraphic, making it suitable for interfaces and branding that want motion without aggression.
The design appears intended as a practical italic companion with a geometric, superellipse-influenced skeleton—aiming for clarity, consistency, and a sense of motion. It prioritizes a clean, engineered texture while keeping forms rounded enough to feel accessible in everyday reading and interface use.
Capitals maintain a clean, monoline silhouette with minimal ornament, while the lowercase retains clear differentiation between similar shapes through open apertures and simple, unbroken strokes. Numerals follow the same slanted, geometric logic and align well with the letterforms for cohesive mixed alphanumeric settings.