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Sans Normal Wugim 3 is a bold, narrow, low contrast, upright, short x-height font visually similar to 'Corsica' by AVP, 'Klik' by Fenotype, 'Apres' by Font Bureau, 'Averta PE' and 'Averta Standard PE' by Intelligent Design, and 'URW Form' by URW Type Foundry (names referenced only for comparison).

Keywords: posters, packaging, branding, headlines, logos, playful, friendly, retro, casual, chunky, display impact, friendly tone, retro flavor, compact set, rounded, soft corners, compact, bouncy, headline.


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A compact, heavy sans with rounded, softened terminals and slightly irregular, hand-cut geometry. Strokes are sturdy and largely uniform, with gently curved joins that give bowls and counters a squarish-rounded feel. Proportions are tight and vertically economical, with small lowercase bodies relative to the capitals and generous stroke presence that keeps forms dark and assertive. Curves (C, O, S) read as circular-leaning but not perfectly geometric, and diagonals (V, W, X, Y) are broad and stable, contributing to a chunky rhythm. Numerals are weighty and simplified, matching the same softened, poster-like construction.

This font suits short to medium-length display settings where a friendly, attention-getting texture is desired—posters, packaging, brand marks, and editorial headlines. It also works for playful UI headings or labels, especially where compact width helps fit copy into tight layouts while retaining a bold, approachable look.

The overall tone is warm, informal, and slightly retro, like cut-paper signage or mid-century display lettering. Its sturdy shapes and softened edges feel approachable and upbeat rather than technical, giving text a friendly, characterful voice that stands out without feeling aggressive.

The design appears intended to deliver a dense, readable display sans with a handcrafted softness—combining sturdy, low-detail letterforms with rounded finishing to create a personable, retro-leaning voice for modern branding and headline use.

Spacing appears compact and consistent, producing a dense texture in lines of text. The uppercase set carries a strong, sign-like presence, while the lowercase maintains legibility through clear silhouettes and open counters despite the heavy stroke mass.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸