Sans Other Urli 2 is a regular weight, wide, monoline, upright, normal x-height font visually similar to 'SbB Powertrain' by Sketchbook B (names referenced only for comparison).
Keywords: display, headlines, posters, branding, packaging, techno, digital, industrial, modular, futuristic, systematic design, tech aesthetic, display impact, geometric clarity, angular, octagonal, geometric, corner-cut, stencil-like.
This is a geometric, monoline sans with a modular construction built from straight strokes and consistent corner-cut (octagonal) turns. Curves are largely avoided; round forms (O, C, G, 0) are rendered as squared, chamfered outlines, giving counters a crisp, technical feel. Terminals tend to end in hard, squared stops, and many joins are simplified into short diagonals rather than true curves. Proportions are on the open side with generous interior space and a slightly extended horizontal footprint, while letter widths vary across the set to maintain recognizable silhouettes.
Best suited for short-to-medium display settings where its angular construction can be appreciated: headlines, logo wordmarks, product branding, packaging, and tech-themed graphics. It also fits interface titles, HUD-style overlays, and signage where a crisp, schematic voice is desired; for long body copy, its rigid geometry may feel visually insistent.
The overall tone is precise and engineered, evoking UI labeling, sci‑fi interfaces, and machine-made signage. Its chamfered geometry and strict stroke logic create a clean, controlled rhythm that reads as modern, technical, and slightly retro-digital.
The design appears intended to translate a strict, grid-based drawing system into an approachable sans, prioritizing a consistent technical aesthetic over traditional humanist curvature. Its chamfered corners and squared bowls suggest a deliberate nod to digital-era and industrial lettering while keeping forms clear enough for punchy display use.
Distinctive details include the squared, chamfered bowls and the angular treatment of diagonals in letters like K, M, N, V, W, and X. Lowercase forms follow the same rigid geometry, keeping bowls and shoulders boxy and minimizing curvature, which reinforces the constructed, systemized look across mixed-case text and numerals.