Font Hero

Free for Commercial Use

Wacky Nizo 8 is a very bold, very wide, very high contrast, upright, normal x-height font.

Keywords: posters, headlines, album art, event promos, gaming titles, glitchy, playful, chaotic, retro tech, noisy, disruption, texture, attention, digital error, retro signal, slab serif, stencil-like, layered, striped, fragmented.


Free for commercial use
Customize the font name

A very heavy, wide slab-serif design with bold rectangular serifs, blunt terminals, and compact counters that emphasize a dense, blocky silhouette. Each glyph is interrupted by repeated horizontal cuts and offsets, creating a sliced, layered look that reads like scanline tearing or misregistered printing. Stroke behavior is strongly geometric and upright, with mostly flat curves and broad joins; the decorative breaks introduce irregular rhythm while keeping a consistent underlying structure across the alphabet and figures.

Best suited to short, high-impact settings such as posters, headlines, cover art, and promotional graphics where the glitch-striping reads as a deliberate texture. It can work well for tech-themed, experimental, or humorous branding moments, and for titles in entertainment contexts where legibility can be traded for attitude.

The font projects an intentionally disrupted, high-energy tone—part glitch, part prank—balancing sturdy letterforms with erratic horizontal fragmentation. It feels loud and attention-seeking, with a techy distortion that can also suggest lo-fi reproduction, interference, or hacked signage.

The design appears intended to take a conventional slab-serif foundation and destabilize it through systematic horizontal slicing, producing a recognizable “signal error” aesthetic without losing the core letter skeleton. The goal seems to be instant visual character—texture, motion, and disruption—rather than neutral readability.

The horizontal banding is a dominant feature that can visually “vibrate” in lines of text, especially at smaller sizes or tight leading, where the slices begin to merge into texture. Figures and punctuation adopt the same cut-and-shift motif, reinforcing the effect in mixed content.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸