Sans Other Seme 2 is a regular weight, very narrow, monoline, upright, normal x-height font.
Keywords: posters, headlines, logotypes, signage, packaging, art deco, retro, architectural, minimalist, technical, space saving, display impact, stylized modernity, signage clarity, condensed, geometric, angular, rounded corners, tall proportions.
A condensed, monoline sans with tall proportions and a disciplined, geometric build. Strokes stay even and dark, with corners frequently softened into small radii while terminals often finish in blunt, squared cuts. Many curves are simplified into near-elliptical bowls and open arcs, giving letters like C, G, S, and U a clean, engineered feel. Overall spacing appears tight and vertical, producing a compact rhythm that reads as structured and intentionally stylized rather than purely utilitarian.
Best suited to display contexts where its condensed geometry and stylized letterforms can be appreciated—posters, headlines, logotypes, and branding systems with a retro or architectural slant. It can work well on signage and packaging where vertical economy is important, but its quirky constructions may feel less neutral for long-form text.
The tone is distinctly retro-modern, recalling streamlined signage and Art Deco-era display lettering. Its narrow, upright stance and clean geometry convey a composed, architectural mood—confident, orderly, and slightly futuristic. The consistent stroke and simplified curves add a mechanical calm that feels suited to design-forward branding.
The font appears designed to deliver a compact, space-efficient sans voice with a deliberate vintage-modern personality. By combining strict monoline strokes with softened geometric curves and condensed proportions, it aims to be both clean and distinctive—evoking classic display lettering while staying visually streamlined.
The design relies on distinctive, sometimes unconventional constructions in a few glyphs (notably in the curves and interior joins), which makes it more characterful at larger sizes. Numerals follow the same tall, condensed logic, with simple forms and clear silhouettes that match the uppercase rhythm. The overall color on the line is steady and bold, with minimal contrast and strong vertical emphasis.