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Free for Commercial Use

Slab Square Lyda 1 is a very bold, normal width, very high contrast, upright, tall x-height font.

Keywords: posters, headlines, logos, packaging, editorial display, playful, retro, funky, graphic, quirky, distinctive branding, graphic impact, retro display, patterned texture, experimental slab, stencil-like, ink-trap, notched, chunky, modular.


Free for commercial use
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A heavy, blocky slab-serif display face built from compact, squared forms and rounded bowls, with a distinctive band of horizontal cutouts running through many glyphs. Strokes terminate in flat, rectangular slabs and abrupt corners, while counters are often simplified into ovals and slots. The repeated notches and “bite” shapes create a stencil-like, constructed rhythm, giving letters a segmented look that reads as deliberate negative-space carving rather than smooth pen logic. Spacing and widths feel intentionally irregular across characters, reinforcing a punchy, poster-oriented texture.

Best suited to headlines, posters, covers, packaging, and identity work where a strong, distinctive silhouette is more important than quiet readability. It can add character to short blurbs and pull quotes, and works well when paired with a simpler text face that won’t fight the internal cutouts.

The cutout midline and chunky slabs give the font a mischievous, pop-graphic tone that nods to mid-century display typography and playful modern branding. It feels energetic and attention-seeking, with a slightly experimental, puzzle-piece personality that makes words look like bold signage or stylized logotypes.

The design appears intended as a high-impact display slab that stands out through a consistent system of internal apertures and squared terminals. Its goal is to create instant recognizability and a bold graphic rhythm in words, emphasizing pattern and silhouette over conventional text economy.

The signature horizontal voids become a strong identifying motif in text, forming a continuous visual stripe across lines. At smaller sizes the interior cutouts may compete with counters, so the design’s impact is clearest when given room to breathe and enough size for the details to resolve.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸