Sans Superellipse Berap 8 is a regular weight, very narrow, low contrast, italic, tall x-height font.
Keywords: headlines, posters, branding, sports, packaging, sleek, dynamic, modern, retro, technical, space saving, speed cue, display impact, streamlining, condensed, slanted, monoline, streamlined, tall.
A sharply slanted, condensed sans with a monoline feel and tall proportions. Strokes stay evenly weighted with smooth, rounded-rectangle curvature in bowls and counters, giving letters a streamlined, aerodynamic silhouette. Terminals are clean and mostly open, with minimal detailing; the overall rhythm is vertical and tightly packed, emphasizing height and speed. Numerals and capitals follow the same narrow, upright-leaning geometry for a consistent, display-forward texture.
Best suited to headlines and short-to-medium display settings where the slant and condensed width can project speed and impact. It works well for branding, sports or motorsport-flavored graphics, packaging, and promotional layouts that benefit from a tall, streamlined typographic voice. For extended reading, it will be most comfortable at larger sizes with generous line spacing.
The typeface conveys motion and urgency, with a sleek, engineered tone that reads as contemporary while nodding to retro italics used in headlines and sports styling. Its narrow, leaning forms feel energetic and assertive, producing a fast, forward-tilting voice.
The design appears aimed at delivering a space-efficient, high-energy italic sans that stays clean and modern while borrowing the visual language of classic condensed display italics. Its rounded-rectangular construction and even strokes suggest an intention to keep the texture consistent and the forms highly stylized without relying on ornament.
In the sample text, the condensed italic structure creates strong word shapes but also tight internal spaces in letters like a/e/s and in multi-stem forms such as m/n, which can raise visual density at smaller sizes. The uniform stroke weight keeps the color even across long lines, while the pronounced slant makes it more attention-grabbing than neutral.