Sans Superellipse Tywi 2 is a regular weight, very narrow, low contrast, upright, normal x-height font.
Keywords: packaging, posters, book covers, headlines, branding, handmade, quirky, casual, friendly, rustic, human warmth, handmade texture, compact fit, casual display, approachability, rounded, condensed, textured, irregular, monoline.
A condensed, monoline sans with softly rounded terminals and subtly boxy curves that read as superelliptical in bowls and counters. Strokes are low-contrast and slightly uneven, creating a dry, inked texture and mild wobble in verticals and curves. Proportions are compact with tight sidebearings and a steady rhythm, while small inconsistencies in stroke edges and letter widths reinforce an organic, hand-rendered feel. The lowercase is simple and legible with a straightforward, single-storey construction where applicable, and the numerals follow the same narrow, rounded-rectangle logic.
This font works well for packaging, posters, and headlines that benefit from a friendly, handmade voice—such as artisanal goods, cafés, casual event promotions, and character-driven branding. It can also serve for short editorial callouts or book-cover titling where a narrow width helps fit longer phrases without losing presence.
The overall tone is informal and personable, with a playful, homemade character that feels approachable rather than polished. Its narrow, upright stance keeps it efficient and readable, while the textured outlines add a crafty, slightly whimsical flavor suited to human, conversational messaging.
The design appears intended to combine a compact, space-saving condensed structure with softened superelliptical forms and deliberate edge irregularity, producing a sans that feels human and crafted while staying broadly legible. It prioritizes distinctive texture and warmth over strict geometric precision.
The rounded corners and slightly squared-off curves give it a distinctive “softly rectangular” silhouette, especially in rounded letters and numerals. Texture is consistent enough to feel intentional, but prominent enough that it becomes part of the font’s personality at display and short-text sizes.