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Free for Commercial Use

Stencil Olga 1 is a bold, wide, medium contrast, italic, normal x-height font visually similar to 'Superclarendon' by Typodermic and 'Clarendon' by URW Type Foundry (names referenced only for comparison).

Keywords: posters, headlines, branding, packaging, signage, industrial, vintage, bold, utilitarian, dramatic, stencil display, industrial tone, retro impact, graphic texture, headline punch, slab serif, bracketed, ink trap, cutout, high impact.


Free for commercial use
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A heavy, right-slanted slab serif with pronounced stencil breaks that create clear bridges through stems, bowls, and diagonals. The letterforms are wide and assertive, with chunky bracketed slabs and relatively blunt terminals that keep the texture dense and poster-ready. Counters are partially opened by the cutouts, producing a patterned rhythm across words; curves like C, O, and S show consistent internal breaks, while diagonals (V, W, X, Y) use angled voids to maintain the stencil logic. Numerals echo the same cut-and-bridge construction, with bold silhouettes and strong, simplified shapes.

Best suited to display applications where the stencil pattern can be appreciated—posters, bold headlines, logos and brand marks, product packaging, and attention-grabbing signage. It works particularly well for themes that benefit from an industrial or retro-utility voice, and for short phrases where the rhythmic cutouts remain crisp and intentional.

The overall tone is industrial and rugged, balancing a vintage sign-painting swagger with a factory-stencil practicality. The italic slant adds motion and urgency, making the texture feel energetic and slightly aggressive rather than neutral.

Designed to deliver maximum impact with a classic stencil mechanism applied to a bold slab-serif, combining toughness and tradition. The goal appears to be a distinctive, highly graphic texture that remains legible while clearly signaling an industrial, workwear, or vintage-sign aesthetic.

The cutouts are large enough to read as intentional graphic features, not incidental ink gaps, so the font’s color becomes a distinctive banded pattern at display sizes. In text lines, the repeated bridges create a consistent cadence that can either enhance a strong identity or become visually busy if overused at small sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸