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Free for Commercial Use

Stencil Maje 7 is a very bold, normal width, low contrast, upright, normal x-height font.

Keywords: posters, headlines, packaging, signage, logos, industrial, military, hard-edged, utility, impactful, marking, labeling, authority, ruggedness, uniformity, geometric, condensed feel, blocky, angular, bridged.


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A heavy, block-built display face with sharply cut corners and a consistent system of stencil breaks. The forms are largely geometric and vertical, with squared terminals and broad, flat strokes that maintain an even color. Counters tend to be compact and rectangular, and many letters feature a central vertical split that reads as a functional bridge, while diagonals (notably in A, M, N, V, W, X, Z) are rendered as strong wedges with occasional cut-ins. Numerals match the same industrial construction, using simplified silhouettes and prominent bridging for a cohesive, sign-ready texture.

Best suited to bold headlines, posters, product packaging, wayfinding, and logo/wordmark work where a tough stencil presence is desirable. It performs especially well in large-scale applications, branding systems with an industrial angle, and high-contrast layouts where its bridged construction can be appreciated.

The overall tone is assertive and utilitarian, evoking machinery markings, shipping stencils, and military hardware. Its stark breaks and dense massing give it a rugged, no-nonsense character that reads as authoritative and engineered rather than decorative.

Designed to deliver maximum impact with a disciplined stencil system, prioritizing durability and reproducibility in contexts associated with marking and labeling. The consistent bridging and blocky geometry suggest an intention to feel functional, rugged, and immediately legible in display settings.

The stencil logic is applied consistently across capitals, lowercase, and figures, producing a rhythmic pattern of interruptions that becomes part of the texture in text. At smaller sizes the internal breaks may begin to compete with counters, while at larger sizes the cut structure becomes a defining stylistic feature.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸