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Free for Commercial Use

Groovy Anza 13 is a very bold, normal width, medium contrast, upright, normal x-height font.

Keywords: posters, packaging, headlines, logos, album covers, groovy, playful, retro, cheery, bouncy, retro flair, display impact, playful branding, poster voice, soft, rounded, blobby, bulbous, tapered.


Free for commercial use
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A heavy, rounded display face with inflated, blobby strokes and frequent teardrop-like terminals. Curves dominate and corners are softened into pillowy joins, creating a buoyant rhythm across words. Stroke endings often swell or taper subtly, giving the letters a hand-shaped, organic feel while maintaining clear, sturdy silhouettes. Counters are relatively small and irregularly rounded, and the overall texture is dense but lively rather than rigidly geometric.

Best suited to short-form display settings where personality is the goal: posters, event titles, packaging, branding marks, and social graphics. It can work for large headings and punchy subheads, especially when paired with a simpler sans for body copy. In continuous text, the dense, rounded texture is more effective for brief callouts than long reading.

The tone is lighthearted and nostalgic, evoking late-60s/70s pop and poster lettering. Its swelling forms and wavy details read as friendly and slightly whimsical, making text feel upbeat and informal. The overall impression is warm, funky, and attention-grabbing without becoming sharp or aggressive.

The design appears intended to capture a groovy, era-referential look with soft, swelling letterforms that feel hand-shaped and rhythmic. It prioritizes charm and impact over strict regularity, using bulbous terminals and rounded counters to create a distinctive, poster-ready voice.

Uppercase and lowercase share the same soft, inflated DNA, with lowercase forms leaning especially bubbly and cartoon-like. Numerals follow suit with chunky shapes and rounded bends, and the ampersand is boldly stylized to match the font’s organic flow. Because of the pronounced shaping at terminals and joins, letterspacing can look visually tighter in longer lines.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸