Print Jodad 2 is a very bold, normal width, monoline, upright, normal x-height font.
Keywords: children’s books, posters, packaging, stickers, social graphics, playful, friendly, bubbly, casual, childlike, playful display, hand-drawn charm, bold friendliness, casual branding, rounded, chunky, soft terminals, inky, bouncy.
A heavy, rounded handwritten print with monoline strokes and softly blunted terminals throughout. Letterforms are compact and bulbous, with generous curves, small counters, and a slightly bouncy baseline rhythm that keeps the texture lively. Curves dominate the construction (notably in C, S, O), while straight strokes remain thick and gently tapered at ends, giving an inky marker-like feel. Overall spacing is open enough for display use, with a consistent, cohesive silhouette across uppercase, lowercase, and numerals.
Best suited to headlines, short blurbs, and expressive branding where a friendly, hand-drawn voice is desirable—such as children’s materials, playful posters, casual packaging, stickers, and social media graphics. It can also work for logos or product names that benefit from a soft, approachable presence, while longer passages are likely more comfortable at larger sizes due to the heavy color and tight counters.
The font projects a warm, approachable personality that feels informal and upbeat. Its soft, inflated shapes and hand-drawn irregularities read as cheerful and kid-friendly, with a whimsical tone that avoids sharpness or formality.
The design appears intended to mimic a bold marker or brush-pen print style, prioritizing charm and immediacy over typographic precision. Its rounded geometry and consistent stroke weight aim to deliver high-impact, playful readability in display settings.
Uppercase and lowercase share a unified, rounded design language, with simplified, high-impact shapes rather than intricate detailing. Numerals follow the same chunky, friendly logic, with rounded corners and strong, easily recognizable silhouettes at larger sizes. The dense strokes and small internal spaces can make long text feel dark and compact, especially at smaller sizes.