Sans Superellipse Telig 6 is a very bold, narrow, low contrast, italic, tall x-height font visually similar to 'ITC Franklin Gothic LT' by ITC, 'Sztos' by Machalski, 'PG Gothique' by Paulo Goode, 'Amsi Grotesk' by Stawix, 'Franklin Gothic' by URW Type Foundry, and 'Greeka' by Umka Type (names referenced only for comparison).
Keywords: headlines, posters, packaging, sports branding, event promos, punchy, retro, casual, sporty, playful, space saving, high impact, dynamic motion, friendly tone, retro display, condensed, rounded, slanted, chunky, ink-trap feel.
A heavy, condensed sans with a consistent rightward slant and compact proportions. The letterforms are built from rounded-rectangle/superellipse shapes, producing soft corners, full counters, and a sturdy, poster-ready color. Strokes stay broadly uniform, with subtle flare and slight irregularities that read as a hand-cut or inked texture rather than rigid geometry. Apertures are moderately open for the weight, and curves (C, G, O, S) stay smooth and padded, while joins and terminals often taper or notch slightly, adding rhythm and preventing the bold shapes from clogging.
Best suited to short, high-impact settings such as headlines, posters, merchandise, packaging, and sports or event branding where a compact, energetic word shape is desirable. It can work for brief subheads or callouts, but extended small-size reading may feel crowded due to the condensed build and heavy weight.
The overall tone is energetic and approachable, mixing a vintage display feel with an informal, athletic slant. It reads loud and friendly rather than technical, with a hint of rough-cut personality that keeps it from feeling sterile.
The design appears intended to deliver maximum visual impact in minimal horizontal space, pairing rounded superellipse construction with a dynamic slant for motion and immediacy. Small nicks and slight terminal shaping seem aimed at adding character and improving legibility in very heavy forms.
In text, the dense width and strong slant create a fast forward motion, making it most comfortable at larger sizes where counters and spacing can breathe. Numerals match the same compact, blocky construction and hold up well as emphatic figures in headings.