Serif Normal Jomul 10 is a bold, normal width, high contrast, upright, normal x-height font visually similar to 'Ang Thong BT', 'Dutch 801', 'Dutch 801 WGL', and 'Frank Ruehl BT' by Bitstream; 'Times Eighteen' by Linotype; 'Aparajita' by Microsoft Corporation; 'CG Times' by Monotype; and 'Newton' by ParaType (names referenced only for comparison).
Keywords: headlines, editorial, book covers, branding, posters, traditional, authoritative, formal, literary, prestige, readability, editorial tone, headline impact, bracketed, tapered, sharp, sculpted, crisp.
A sturdy, sculpted serif with pronounced contrast and bracketed serifs that end in sharp, tapered terminals. Curves are full and rounded while joins and corners stay crisp, giving the letters a slightly engraved, display-ready clarity. Capitals are relatively wide with strong vertical stress, and lowercase forms show compact bowls and firm stems with minimal calligraphic softness. Numerals match the same weight and contrast, with classic, stately proportions that hold up at larger sizes.
This font is well suited to headlines, deck copy, and editorial display where its contrast and sharp terminals can be appreciated. It can also work for book covers, institutional branding, and formal invitations, especially in print or high-resolution contexts where the fine details remain crisp.
The overall tone is traditional and authoritative, with a bookish, editorial feel. Its strong contrast and crisp finishing give it a formal, established voice suited to refined, institution-like messaging rather than casual or playful settings.
The design appears intended to deliver a classic serif voice with elevated contrast and a decisive, contemporary crispness. It aims for strong presence and prestige while staying within familiar, conventional serif proportions for dependable readability at display sizes.
The design emphasizes confident vertical rhythm and clear serif structure; details like pointed terminals and tightened apertures contribute to a high-impact silhouette. In dense settings it reads best when given a bit of space, as the bold stroke mass and sharp finishing can create a dark, dramatic texture.