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Free for Commercial Use

Sans Normal Nylil 3 is a very bold, normal width, monoline, upright, tall x-height font visually similar to 'Amonos display' by Brenners Template, 'Paducah JNL' by Jeff Levine, 'POLIGRA' by Machalski, 'Reflex Pro' by RMU, 'Mister London' by Sarid Ezra, 'Greek Font Set #2' by The Fontry, and 'Crunold' by Trustha (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, logos, playful, retro, chunky, friendly, punchy, display impact, approachability, brand presence, retro flavor, rounded, geometric, soft corners, high contrast counters, compact spacing.


Free for commercial use
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A heavy, rounded sans with monoline construction and strongly geometric curves. Letters are built from broad strokes with softened corners, large circular bowls, and tight apertures that create compact internal counters. The overall rhythm is dense and sturdy, with a high x-height and short extenders that keep lowercase forms squat and highly present. Curved joins and simplified terminals give the design a smooth, molded feel, while distinctive cut-ins and notches in a few shapes add graphic character without breaking consistency.

Best suited for headlines, posters, packaging, and logo wordmarks where bold shape and quick recognition matter. It also works well for short UI labels or signage at large sizes, especially when a friendly, rounded tone is desired.

The font reads as cheerful and attention-getting, with a slightly retro, display-oriented charm. Its chunky mass and rounded geometry feel approachable rather than technical, making it well suited to upbeat, informal messaging and bold brand voices.

The design appears intended as a high-impact display sans that combines geometric roundness with compact, heavy forms to maximize presence. Its consistent stroke weight and softened corners suggest a goal of delivering strong readability and a welcoming, playful personality in bold applications.

Round letters (like O/Q) are very circular and prominent, while diagonals and arms (such as in K, R, and X) stay thick and compact, emphasizing solidity over delicacy. Numerals match the same heavy, rounded logic and remain highly legible at larger sizes, though the tight counters suggest more impact than finesse in small text.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸