Sans Superellipse Abgag 5 is a regular weight, normal width, monoline, upright, normal x-height font visually similar to 'Innova' by Durotype, 'Ordina' by Schriftlabor, 'Few Grotesk' by Studio Few, and 'Haboro Squared' by insigne (names referenced only for comparison).
Keywords: ui text, product design, signage, dashboards, presentation slides, clean, modern, neutral, friendly, techy, clarity, modernization, digital ui, geometric cohesion, rounded corners, geometric, low contrast, open apertures, crisp terminals.
A clean, geometric sans with softly squared curves and rounded-rectangle construction in the bowls and counters. Strokes are even and low-contrast, with smooth joins and consistently rounded corners that keep shapes sturdy and controlled. Uppercase forms read broad and stable, while lowercase shows compact, efficient silhouettes with open apertures and simple terminals. Numerals follow the same rounded geometry, with clear, contemporary forms and consistent spacing rhythm across the set.
This font suits interface typography, product UI, and information design where clarity and a contemporary, geometric feel are important. Its steady rhythm and softened corners also work well for signage, labels, and slide decks, delivering a clean presence at both display sizes and straightforward text settings.
The overall tone is modern and matter-of-fact, with a subtle friendliness coming from the softened corners and rounded construction. It feels technical and orderly rather than expressive, giving text a calm, contemporary voice suited to digital environments.
The design appears intended to provide a versatile, contemporary sans that balances precision with approachability. The rounded-square construction suggests an emphasis on digital-friendly geometry and consistent visual structure across letters and numbers.
Round letters like O/C/G and the bowls in B/P/R lean toward superelliptical, rounded-square forms rather than purely circular geometry, creating a distinctive squared-round texture in headlines and UI-sized text. The design maintains a steady, grid-like rhythm, and the punctuation and figures visually match the same softened, rectilinear logic.