Blackletter Hyba 9 is a very bold, normal width, medium contrast, upright, normal x-height font.
Keywords: posters, headlines, logotypes, packaging, game titles, medieval, gothic, heraldic, dramatic, rustic, historic evoke, display impact, handmade texture, decorative branding, angular, chiseled, wedge serif, broken strokes, irregular rhythm.
A heavy, blackletter-influenced display face with chiseled, wedge-like terminals and broken, angular stroke construction. The letterforms show a hand-drawn, slightly uneven rhythm, with subtle variations in stroke direction and edge sharpness that keep the texture lively rather than mechanically uniform. Counters are compact and often faceted, and many joins resolve into pointed notches or spur-like hooks. Overall spacing and widths vary by glyph, reinforcing a handcrafted, calligraphic feel in both capitals and lowercase.
Best suited for display use where texture and historical flavor are desirable: posters, headlines, title cards, album or book covers, and branding marks that benefit from a gothic or medieval tone. It can also work well on labels and packaging where bold, high-impact lettering is needed, especially at medium-to-large sizes where the angular details stay clear.
The font conveys a medieval, gothic tone with a bold, heraldic presence. Its sharp cuts and dense texture feel ceremonial and old-world, lending an assertive, storybook-grimoire character to short phrases and titles. The handmade irregularities add warmth and a slightly rustic edge, avoiding a sterile, typeset-blackletter mood.
The design appears intended to evoke hand-rendered blackletter traditions through bold massing, broken strokes, and wedge terminals, while remaining legible enough for short blocks of text. Its controlled irregularity suggests a deliberate balance between medieval calligraphic reference and contemporary display practicality.
Capitals read as strong, emblematic forms with prominent wedges and tight internal shapes, while lowercase maintains the same broken-stroke logic and pointed terminals for consistent color on the line. Numerals follow the same faceted construction and look suited to decorative setting rather than tabular alignment.