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Sans Superellipse Feraz 3 is a very bold, very narrow, low contrast, italic, tall x-height font visually similar to 'Korolev' by Device, 'CF Blast Gothic' by Fonts.GR, 'Cairoli Classic' and 'Cairoli Now' by Italiantype, 'Early Edition JNL' and 'Privilege Sign JNL' by Jeff Levine, and 'Hornsea FC' by Studio Fat Cat (names referenced only for comparison).

Keywords: headlines, posters, sports, packaging, branding, sporty, urgent, industrial, retro, aggressive, speed, impact, compactness, modernization, strength, condensed, slanted, oblique, blocky, rounded corners.


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A tightly condensed, heavy sans with a pronounced rightward slant and compact, upright proportions. Strokes stay largely monoline, with squared terminals softened by subtly rounded corners, giving counters and curves a rounded-rectangle feel rather than true circular forms. Curved glyphs like C/O show narrow apertures and compact bowls, while verticals dominate the rhythm, producing a packed, high-impact texture. The numerals match the condensed, monoline build, with closed, sturdy forms designed to hold up at display sizes.

Best suited to short, prominent settings where impact matters: headlines, sports identities, poster titles, product packaging, and bold brand marks. It can also work for attention-grabbing UI labels or signage when used sparingly and with generous tracking to counter its naturally compact texture.

The overall tone is fast, forceful, and performance-driven, with a poster-like urgency that reads as sporty and industrial. Its slanted stance and dense spacing evoke motion and pressure, leaning into a bold, assertive voice suited to high-energy messaging.

This design appears intended as a high-impact condensed italic sans that communicates speed and strength while keeping shapes simple, consistent, and mechanically clean. The rounded-rectangle curvature suggests a deliberate move toward a modernized, streamlined geometry without losing the punch of a heavy, condensed build.

The italic angle is strong enough to change the line silhouette noticeably, creating a forward-leaning cadence in longer text samples. The design favors tight internal spaces and sturdy joins, which enhances punch and cohesion in headlines but can feel dense when set in extended passages.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸