Sans Faceted Omho 3 is a regular weight, normal width, monoline, upright, normal x-height font.
Keywords: headlines, posters, branding, wayfinding, signage, technical, geometric, industrial, futuristic, utilitarian, faceted geometry, technical voice, display impact, signage clarity, systematization, chamfered, angular, octagonal, stenciled feel, crisp.
A faceted geometric sans built from straight strokes and clipped corners, replacing curves with short planar chamfers. The letters keep a consistent, monoline-like stroke presence while counters and bowls read as octagonal or multi-sided shapes (notably in O, C, G, and 0). Proportions are compact and sturdy, with squared terminals and a rhythm that favors hard joins over smooth transitions; diagonals (V, W, X, Y) are clean and sharply cut. Numerals follow the same angular logic, with simplified, sign-like forms and chamfered apertures that maintain clarity at display sizes.
Best suited for headlines, posters, and identity systems that benefit from crisp geometry and a technical mood. It also works well for signage and wayfinding where the chamfered, high-contrast silhouette helps characters remain distinguishable, and for interface or product graphics that aim for an industrial or futuristic impression.
The overall tone is engineered and pragmatic, with a sci‑fi/industrial edge that feels at home on equipment labeling, digital interfaces, and architectural wayfinding. Its sharp facets and strict geometry convey precision, toughness, and a slightly retro-tech flavor rather than softness or warmth.
The design appears intended to translate a clean sans skeleton into a machined, faceted construction, emphasizing planar cuts and simplified geometry for a bold, contemporary display voice. The consistent chamfering suggests a goal of creating a recognizable, system-like texture that stays legible while projecting a hard-edged, technical character.
Lowercase forms stay straightforward and legible, leaning toward single-storey constructions where applicable, and maintain the same clipped-corner vocabulary seen in the capitals. The faceting is consistent across glyphs, creating a cohesive texture in lines of text, though the angular joins give the face a distinctly assertive presence.