Sans Faceted Nida 3 is a very bold, very narrow, low contrast, upright, normal x-height font visually similar to 'Heidth Variable' and 'Kicker FC' by Arkitype, 'Karepe FX' by Differentialtype, 'Aureola' by OneSevenPointFive, and 'Branson' by Sensatype Studio (names referenced only for comparison).
Keywords: headlines, posters, logos, packaging, sports branding, industrial, authoritative, sporty, poster-ready, retro, space-saving, impact, signage, branding, display, angular, condensed, blocky, faceted, geometric.
A condensed, heavy display face built from straight strokes and clipped corners, replacing curves with planar facets. Forms are predominantly vertical with squared shoulders, tight apertures, and small internal counters that emphasize a compact, high-impact texture. Terminals frequently end in chamfered cuts, giving bowls and joins a beveled, almost stamped silhouette. Numerals and capitals share the same rigid construction, producing a consistent, uniform rhythm in headline settings.
Best suited to short, high-contrast applications such as headlines, posters, logos, and bold packaging where the faceted construction can be appreciated at larger sizes. It can also work for labels, signage-style graphics, and team or event branding that benefits from a compact, commanding word shape.
The overall tone is forceful and utilitarian, with a mechanical crispness that reads as confident and no-nonsense. Its faceted geometry brings a retro-industrial flavor reminiscent of signage and athletic branding, while the dense black shape conveys urgency and emphasis.
The design appears intended to deliver maximum impact in limited horizontal space while maintaining a distinctive, chiseled identity. Its consistent faceting and straight-edged geometry suggest a focus on reproducible, sign-like letterforms that stay legible and assertive in display contexts.
Spacing appears tuned for solid headline blocks, with narrow sidebearings and a strong vertical cadence. The lowercase maintains the same angular logic as the uppercase, avoiding calligraphic modulation and leaning into a constructed, engineered feel.