Sans Superellipse Efdih 10 is a light, narrow, low contrast, italic, normal x-height font visually similar to 'JH Oleph' by JH Fonts (names referenced only for comparison).
Keywords: ui text, app design, tech branding, wayfinding, captions, modern, technical, clean, airy, efficient, contemporary utility, space efficiency, clean readability, ui suitability, monoline, oblique, rounded corners, compact, straight-sided.
This typeface is an oblique, monoline sans with compact proportions and a calm, even rhythm. Curves are softened into rounded-rectangle (superelliptical) forms, giving bowls and counters a tidy, engineered feel rather than a purely geometric circle-based construction. Strokes remain consistently thin with minimal modulation, and terminals are clean and understated. The overall texture is open and light, with straightforward letterforms and a pragmatic, legible presence in both uppercase and lowercase.
It is well-suited to interface typography, product labeling, dashboards, and other contexts where a clean, space-efficient oblique sans can add motion while staying readable. The consistent stroke and softened geometry also make it a strong candidate for contemporary tech identities, signage-style headings, and compact captions where clarity and a streamlined tone are priorities.
The tone reads modern and utilitarian, with a subtle forward-leaning momentum from the oblique stance. Its rounded-square geometry adds a friendly smoothness without becoming playful, keeping the voice closer to contemporary UI and technical branding than to expressive editorial typography.
The design appears intended to deliver a contemporary oblique sans optimized for clarity and efficiency, using rounded-rectangle construction to create distinctive but disciplined forms. The emphasis seems to be on a light, unobtrusive texture with a modern, engineered personality that remains practical in continuous text.
Numerals follow the same compact, rounded-corner logic as the letters, and the punctuation shown (including the apostrophe and ampersand in the sample) keeps to the same restrained, monoline style. The oblique angle is consistent across the set, helping text feel cohesive and directional in longer lines.