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Free for Commercial Use

Outline Urfi 6 is a light, normal width, low contrast, upright, normal x-height font.

Keywords: posters, headlines, logotypes, packaging, signage, art deco, retro, neon, playful, display, vintage titling, signage feel, decorative impact, neon effect, monoline, inline, geometric, rounded, layered.


Free for commercial use
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A clean, monoline outline face built from multiple concentric contours that create a distinctive inline, layered look. Letterforms lean geometric with round bowls and smooth curves, while straighter characters keep crisp corners and even stroke spacing. Counters stay open and readable, and the overall rhythm is consistent across caps, lowercase, and numerals, with a slightly decorative construction that remains orderly. The figures follow the same multi-line outline logic, producing a cohesive, airy texture rather than a solid typographic color.

Best suited for display typography such as posters, headlines, event materials, and brand marks where the layered outline detail can be appreciated. It works well on simple, high-contrast backgrounds for signage-style applications, packaging titles, and short pull quotes. For long passages or small UI text, the open outline construction may reduce clarity compared with solid styles.

The repeated outlines evoke vintage sign painting and illuminated tubing, giving the font a retro, Art Deco-leaning personality. Its light, open construction feels upbeat and stylish, with a hint of marquee or nightlife energy. Overall it reads as decorative and attention-seeking without becoming chaotic.

The design appears intended to deliver a classic outlined display look with added depth through concentric inlines, referencing vintage lettering and decorative titling. It aims to provide a distinctive silhouette and a built-in sense of dimensionality while keeping a disciplined, geometric structure across the character set.

The triple-line contour treatment is the dominant feature and will visually intensify at larger sizes where the internal spacing becomes more apparent. In smaller settings the parallel outlines can visually merge, so the design tends to reward generous sizing and clear backgrounds. Curved letters and round forms (like O, Q, and numerals) especially showcase the concentric structure.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸