Script Tafi 2 is a very light, very narrow, high contrast, upright, very short x-height font.
Keywords: wedding, invitations, greeting cards, branding, headlines, elegant, delicate, romantic, refined, whimsical, formality, grace, luxury, personal touch, ornament, hairline, looping, flourished, calligraphic, monoline feel.
A delicate formal script with hairline entry strokes and pronounced thick–thin modulation, giving the letters a finely drawn, high-contrast look. Forms are tall and slender with generous ascenders and descenders, small counters, and a noticeably petite lowercase body. Strokes show a consistent calligraphic rhythm with tapered terminals, soft curves, and occasional extended swashes; connections are implied by flowing stroke direction even when letters appear loosely joined. Numerals and capitals follow the same narrow, elongated construction, maintaining a light, airy texture across lines of text.
Well suited to wedding and event stationery, greeting cards, beauty or lifestyle branding, product labels, and short editorial headlines where elegance is the goal. It performs best for names, titles, and short phrases rather than dense paragraphs, especially when printed or displayed large enough to preserve the fine hairlines.
The font conveys a graceful, intimate tone—polished enough for ceremonial uses while still retaining a hand-drawn charm. Its looping strokes and thin hairlines feel romantic and slightly whimsical, suggesting personal notes, invitations, and boutique presentation rather than utilitarian copy.
The design appears intended to emulate a formal pointed-pen script aesthetic in a clean, consistent digital form. Its narrow, elongated proportions and restrained stroke weight suggest a focus on sophistication and ornament without becoming overly heavy or decorative.
Because the light hairlines and tight internal spaces are prominent features, the design reads best when given breathing room and sufficient size. The overall color on the page stays bright and airy, with visual emphasis created more by contrast and verticality than by weight.