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Free for Commercial Use

Stencil Somy 2 is a bold, narrow, medium contrast, italic, normal x-height font.

Keywords: headlines, posters, branding, packaging, sportswear, industrial, propulsive, dramatic, retro, editorial, display impact, industrial marking, space saving, retro flavor, compressed, slanted, angular, bracketed serifs, stencil breaks.


Free for commercial use
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A compressed, right-leaning serif with sturdy, wedge-like/bracketed terminals and clear stencil interruptions that split key strokes and bowls into bridged segments. Letterforms are tall and tightly set, with relatively narrow counters and a strongly vertical rhythm, while the italic slant adds forward motion. Contrast is present but restrained, reading more like a robust display serif than a delicate book face; joins and curves are simplified and slightly angular, reinforcing the cut, mechanical feel. Numerals follow the same narrow, high-impact construction with consistent bridging and sharp terminals.

Best suited to short, high-impact settings such as headlines, posters, logotypes, and brand marks where the stencil structure is a feature rather than a distraction. It can also work for packaging, event/promotional graphics, and apparel or team-style applications that benefit from an assertive, industrial voice.

The overall tone is forceful and utilitarian, with an industrial, engineered character that also nods to vintage headline typography. The stencil breaks introduce a tactical/production vibe—like sprayed markings or cut metal—while the italic slant adds urgency and momentum.

The design appears intended to fuse a condensed italic serif with unmistakable stencil construction, delivering a bold, energetic display style that reads as manufactured and performance-oriented. Its consistent bridges and compact width suggest a focus on creating strong visual presence in limited horizontal space.

In text samples, the stencil bridges stay prominent even at larger sizes, creating a distinctive texture across words. The narrow proportions and closed apertures can intensify density in longer lines, making spacing and size choices important for legibility.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸