Sans Superellipse Vudi 5 is a regular weight, very wide, monoline, upright, tall x-height font.
Keywords: ui design, tech branding, signage, display titles, product labeling, futuristic, technical, sleek, geometric, clean, modernization, interface clarity, futurism, system consistency, brand distinctiveness, rounded, squared, modular, streamlined, soft-cornered.
A geometric sans with rounded-rectangle (superellipse) construction and soft corners throughout. Strokes read as even and monoline, with generous rounding on joins and terminals that keeps shapes smooth rather than sharp. Counters are wide and open, and curves tend to resolve into squarish bowls (notably in C, D, O, Q, and lowercase o), creating a modular, engineered rhythm. The proportions lean expansive, with broad capitals and compact curves that maintain consistent corner radii across the set, while diagonal forms (V, W, X, Y) remain crisp and controlled against the otherwise rounded system.
Well-suited to interface typography, product and technology branding, and any setting where a clean, engineered aesthetic is desirable. It works especially well for display sizes, titles, dashboards, and signage where the wide, rounded geometry can read clearly and consistently across letters and numbers.
The overall tone feels modern and technology-forward: cool, efficient, and slightly sci‑fi due to the squared curves and consistent rounding. It projects a clean, instrument-like neutrality with a friendly edge from the softened corners.
The design appears intended to merge geometric neutrality with a distinctive superellipse skeleton—delivering a modern, systematized look that remains approachable through rounded corners. It prioritizes visual consistency across the character set and a contemporary, device-oriented feel.
Digits and letters share the same rounded-rectangle DNA, giving headings and mixed alphanumeric strings a cohesive, interface-ready look. The design favors clarity and uniformity over calligraphic contrast, and the squarish rounds help it stand out from more purely circular geometric sans faces.