Distressed Objo 6 is a regular weight, normal width, medium contrast, upright, normal x-height font visually similar to 'Austral Sans' by Antipixel (names referenced only for comparison).
Keywords: posters, packaging, headlines, signage, branding, handmade, rustic, analog, vintage, playful, add texture, evoke print, humanize type, create warmth, rough edges, textured, imperfect, inked, monoline.
A monoline, upright roman with gently uneven strokes and visibly distressed contours that mimic worn letterpress or a dry-brush marker. Terminals are blunt and slightly ragged, with small nicks and irregularities along curves and joins that create a consistent printed-texture effect. Proportions are straightforward and readable, with open counters and simple, compact shapes; round letters stay fairly circular while straights retain a lightly wobbled baseline and cap line. The lowercase is plain and workmanlike, and the numerals follow the same sturdy construction with softened, imperfect edges.
Works best for short to medium-length display text where the distressed detail can be appreciated—posters, labels, menus, and brand marks needing a handcrafted feel. It can also support subheads and pull quotes when you want an approachable, tactile texture without sacrificing legibility.
The overall tone feels handmade and analog, suggesting craft packaging, workshop signage, or a well-used stamp. Its roughened finish adds warmth and informality, giving text a friendly, slightly weathered character rather than a polished corporate voice.
Likely designed to deliver a familiar, utilitarian sans/roman structure while adding a convincingly worn, inked texture for instant character. The goal appears to be an easy-to-set, broadly readable face that still communicates craft, age, and materiality.
Distress is applied evenly across the set, so the texture reads as intentional rather than accidental damage in specific glyphs. In the sample text, the face holds together well in continuous reading while maintaining a subtly gritty surface that becomes more apparent at larger sizes.