Cursive Utbud 2 is a bold, normal width, very high contrast, italic, short x-height font.
Keywords: headlines, posters, branding, packaging, quotes, dramatic, expressive, romantic, vintage, theatrical, display impact, handmade feel, signature style, vintage flair, brushy, calligraphic, swashy, slanted, tapered.
A slanted brush-script with sharp entry strokes and pointed terminals, combining thick downstrokes with hairline connectors for a lively, high-contrast rhythm. Letterforms are moderately connected in running text, with frequent breaks where strokes taper to needle-like joins, giving an ink-brush feel rather than a fully continuous monoline script. Capitals are larger and more decorative, showing looped or curled structure and occasional flourish-like hooks, while lowercase forms stay compact with a relatively small x-height and narrow internal counters. Numerals follow the same calligraphic logic, mixing weighty curves with crisp, tapered ends and slightly irregular widths that emphasize hand-drawn energy.
Best suited to display settings where its contrast and flourish can be appreciated—posters, cover titles, short quotes, branding marks, and packaging callouts. It can work for invitations or event collateral when set with generous size and spacing, while long paragraphs or small UI text are less ideal due to the delicate hairlines and energetic texture.
The overall tone is bold and dramatic, with a showy, romantic character that reads as handcrafted and performative. Its sharp contrasts and swashy caps create a sense of vintage flair—more headline-minded than everyday casual.
The design appears intended to emulate confident brush calligraphy with a cinematic, attention-grabbing presence. It balances readable cursive forms with decorative capitals and tapered terminals to create a handcrafted signature look for prominent, expressive typography.
The texture suggests a dry-brush or inked-pen effect, with slightly jagged edges and uneven stroke density that adds personality. Spacing and widths vary noticeably from glyph to glyph, contributing to an organic cadence; legibility remains strong at larger sizes but the fine hairlines and tight counters may soften or fill in when reduced.