Sans Superellipse Wimo 12 is a bold, very wide, monoline, upright, normal x-height font.
Keywords: headlines, logos, posters, game ui, sports branding, futuristic, tech, sci-fi, sporty, industrial, display impact, futurism, tech branding, streamlined geometry, ui tone, rounded, modular, extended, geometric, streamlined.
A modular sans built from rounded-rectangle and superellipse shapes, with smooth corners, uniform stroke weight, and an extended, low-profile stance. Curves tend to resolve into flat terminals and squared-off bowls, creating a sleek, engineered rhythm. Counters are wide and horizontal, and several characters use cut-in notches and internal bars that read like inset “slots,” reinforcing the constructed, mechanical feel. The overall texture is dark and even, with generous horizontal footprint and tight, controlled shaping that stays consistent across caps, lowercase, and numerals.
Best suited for display settings where its width and distinctive, rounded-rect geometry can be appreciated: headlines, branding marks, packaging titles, posters, and on-screen UI elements in tech or gaming contexts. It also works well for short labels and numerals in dashboards or product visuals, especially where a sleek, modern tone is desired.
The font projects a futuristic, high-tech attitude with a controlled, machine-made character. Its wide stance and streamlined curves feel fast and aerodynamic, suggesting digital interfaces, automotive/transport branding, and sci‑fi display typography rather than everyday text.
The design appears intended to deliver a cohesive superelliptic, “engineered” look—combining soft corners with flattened curves and inset detailing to evoke contemporary technology and speed. It prioritizes impact and stylistic consistency across the set, aiming for a distinctive voice in branding and display typography.
Diagonal strokes appear as crisp wedges with softened joins, giving letters like V, W, X, and Z a dynamic, angular snap without breaking the rounded system. The sample text shows strong word-shape presence at large sizes, while the heavy, wide forms and stylized apertures make it less suited to dense, small-size reading.