Sans Superellipse Ergi 2 is a bold, normal width, monoline, italic, normal x-height font visually similar to 'Hyperspace Race' by Swell Type (names referenced only for comparison).
Keywords: sports branding, technology, gaming, posters, headlines, futuristic, sporty, technical, dynamic, sleek, speed emphasis, modern branding, display impact, tech tone, geometric identity, rounded corners, chiseled, oblique, angular, wide counters.
This typeface uses a forward-leaning, squared-off construction with generously rounded corners and smooth, continuous stroke weight. Curves are handled as superellipse-like rounded rectangles, producing boxy counters in letters like O and Q and similarly squared bowls throughout. Terminals and joins are crisp and slightly chiseled, with angled cuts that reinforce the slanted rhythm. Overall spacing feels compact and streamlined, with an energetic texture that stays consistent from capitals through numerals.
Best suited for short, impactful settings such as sports identities, esports and gaming graphics, tech product branding, UI headers, posters, and packaging accents. It performs especially well when you want a modern, speed-driven voice, and when the distinctive rounded-square forms can be appreciated at display sizes.
The overall tone is fast, engineered, and contemporary, blending a tech aesthetic with a motorsport-like sense of speed. Its rounded-square geometry reads modern and controlled, while the oblique stance adds urgency and momentum. The result feels assertive and performance-oriented rather than friendly or traditional.
The design appears intended to merge geometric, rounded-rectangle letterforms with an aerodynamic slant, creating a compact display sans that signals motion and modernity. Its consistent stroke and controlled corners suggest an emphasis on clarity and brandable shape over calligraphic nuance.
Numerals and uppercase forms share the same rounded-rectangle logic, giving interfaces and branding a cohesive, system-like look. The italic angle is steady and consistent across the set, and the squared counters maintain a strong identity at larger sizes where the corner radii and cut terminals are most evident.