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Free for Commercial Use

Shadow Ukry 9 is a very light, wide, medium contrast, upright, normal x-height font.

Keywords: headlines, posters, logos, packaging, album art, airborne, playful, retro, quirky, techy, graphic texture, built-in depth, display impact, novelty forms, inline, outlined, cutout, monolinear, geometric.


Free for commercial use
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A very light, wide inline display face built from hairline strokes with consistent inner cut-outs that create a hollowed, stencil-like construction. The forms are mostly geometric with softened curves and occasional angled joins, giving letters a slightly jittered, hand-drawn precision. Terminals tend to be open and notched, and many glyphs use small breaks and inset counters that keep the stroke pattern continuous across the set. Overall spacing reads open and airy, and the shadow-like offset detail adds a layered outline effect without increasing weight.

Best suited to display settings where the hollow inline and shadowed detailing can be appreciated—headlines, poster typography, branding marks, packaging callouts, and title treatments for music or event graphics. It can work for short bursts of text, but the very light strokes and busy interior cut-outs favor larger sizes and higher contrast backgrounds.

The font conveys a breezy, futuristic playfulness—part retro sign lettering, part light sci‑fi interface. Its cut-out rhythm and offset detailing make it feel kinetic and experimental, with a casual, crafty edge rather than strict engineering.

The design appears intended to provide a lightweight outline display voice with built-in depth and texture, achieved through consistent cut-outs and an offset shadow-like construction. It prioritizes visual character and rhythmic detail over dense readability, aiming for an expressive, modern-retro graphic presence.

At text sizes the hairline construction and frequent cut-ins produce a sparkling texture, so the design reads best when given room to breathe. The wide proportions and distinctive notches help differentiate shapes, while the inline/offset effect becomes a key identifying feature in headlines.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸