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Inline Updo 6 is a very bold, normal width, very high contrast, upright, normal x-height font.

Keywords: posters, headlines, logos, packaging, sports branding, retro, showcard, playful, bold, sporty, attention grabbing, vintage appeal, added depth, decorative emphasis, headline strength, shadowed, outlined, beveled, chunky, decorative.


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A heavy, compact display face built from broad, blunt strokes with rounded corners and soft, slightly irregular curves. Each glyph is filled as a solid black form, then visually carved by a thin inner line that follows the contour and suggests an inline/engraved channel. A crisp outer outline reinforces the silhouette, while small notches and tapered cuts at joins add a subtly chiseled, poster-like texture. Proportions are sturdy and mostly geometric, with consistent cap height and a straightforward, upright stance that reads clearly at large sizes.

Best suited to headlines and short bursts of text where the carved inline can be appreciated—posters, event titles, storefront-style graphics, packaging callouts, and logo wordmarks. It also fits sporty or collegiate-adjacent branding and playful editorial display work where a strong silhouette with extra internal detail is desired.

The overall tone is retro and attention-seeking, recalling mid‑century signage, showcard lettering, and upbeat promotional graphics. The inline carving and outlined edge add a punchy, theatrical feel that comes across as friendly, energetic, and slightly mischievous rather than formal.

The design appears intended to deliver maximum impact with a familiar block-letter foundation, then add personality through an engraved inline and outline that give depth without relying on color. It aims for bold readability at display sizes while evoking a vintage, sign-painterly character.

The inline detail creates strong internal rhythm and can visually “sparkle” in headlines, while the dense fills make counters and small apertures feel tight. Spacing appears generous enough for display settings, but the layered outline/inline effect benefits from ample size and clean reproduction to avoid the inner line closing up.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸