Print Omgoj 3 is a bold, narrow, medium contrast, italic, short x-height font.
Keywords: headlines, posters, packaging, social media, branding, casual, friendly, energetic, handmade, sporty, handmade feel, casual impact, expressive display, brush lettering, brushy, rounded, compact, bouncy, contemporary.
A slanted, brush-pen style script with disconnected letters and a lively, irregular rhythm. Strokes are thick and smooth with subtly tapered terminals, creating a painted feel without sharp calligraphic edges. Forms are compact and slightly condensed, with rounded bowls and simplified joins; counters stay open enough to keep words readable at display sizes. The baseline motion is gently bouncy, and spacing varies a bit from glyph to glyph, reinforcing an organic, hand-drawn texture.
Best suited to short, prominent text such as headlines, posters, packaging callouts, and social media graphics where the brush texture can read clearly. It also works well for casual branding elements (logos, badges, labels) and emphasis lines in editorial layouts. For longer paragraphs, larger point sizes and slightly increased letterspacing help maintain clarity.
The overall tone is upbeat and informal, with a personable, handwritten confidence. It reads as approachable and energetic rather than elegant, suggesting quick marker lettering or a sign-painter’s brush in a relaxed mood. The slant and thick strokes add momentum and a sense of emphasis, making phrases feel enthusiastic and conversational.
The design appears intended to capture the look of fast, confident brush lettering in a clean digital form. It prioritizes personality and motion over strict regularity, delivering a contemporary handwritten voice that feels friendly and direct in display contexts.
Uppercase shapes are expressive and slightly stylized, functioning well as attention-getting initials, while the lowercase maintains a consistent handwritten flow despite being unconnected. Numerals are similarly brushy and compact, suited to short runs rather than dense tables. At smaller sizes the heavy strokes and tight interiors can start to close up, so it benefits from generous size or tracking in longer lines.