Sans Other Inriw 9 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Notche' by Creatifont Studio and 'Dark Sport' by Sentavio (names referenced only for comparison).
Keywords: headlines, posters, sports branding, gaming, logos, sporty, aggressive, futuristic, industrial, energetic, convey speed, add impact, create texture, industrial style, headline emphasis, slanted, angular, stencil-cut, segmented, compact.
A heavy, forward-slanted sans with angular construction and broad, low-contrast strokes. Many glyphs feature deliberate diagonal breaks and notches that create a segmented, stencil-like impression while keeping counters relatively tight and shapes compact. Terminals are mostly blunt and squared, with crisp corners and a strong, mechanical rhythm; rounds such as O/C/G are squarish and cut through with internal gaps, reinforcing the engineered look. Numerals mirror the same cut-and-splice logic for a consistent, high-impact texture in display settings.
This font is well suited to short, bold applications such as headlines, posters, sports and motorsport-inspired branding, gaming titles, product marks, and punchy social graphics. It performs best where impact and motion are priorities and where sizes are large enough to preserve the clarity of the internal cuts.
The overall tone is fast, forceful, and technical, combining a race-inspired slant with hard-edged, industrial detailing. The repeated cuts suggest motion, precision, and rugged utility, giving headlines an assertive, high-adrenaline character.
The design appears intended to deliver a speed-driven, hard-edged display voice by combining an italicized stance with systematic stencil cuts and squared geometry. The consistent segmentation across letters and numerals suggests a focus on creating a branded texture that feels engineered and dynamic rather than neutral.
The segmented joins introduce a distinctive patterning across words, especially in mixed-case text where the gaps align into a repeating cadence. Because the internal cuts reduce solid mass and interrupt strokes, the design reads best at larger sizes where the stencil breaks remain clearly intentional rather than incidental.