Sans Normal Abmis 5 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'FF Sero' by FontFont, 'Epoca Pro' and 'Foro Sans' by Hoftype, 'PTL Maurea' by Primetype, 'NuOrder' by The Northern Block, and 'Nu Sans' by Typecalism Foundryline (names referenced only for comparison).
Keywords: ui text, editorial, presentations, infographics, branding, clean, modern, neutral, businesslike, technical, clarity, versatility, emphasis, modernity, oblique, open apertures, humanist, rounded, brisk.
A slanted sans with smooth, rounded curves and a steady, even stroke throughout. The forms are generally open and airy, with generous counters in letters like O, Q, and e, and straightforward, unadorned terminals. Uppercase proportions feel balanced and slightly wide in round letters, while the lowercase maintains a practical, readable structure with a single-storey a and g and clear distinctions between stems and bowls. Numerals follow the same simple, gently curved construction, keeping a consistent rhythm in running text.
This style suits interface and product typography where a clean, slanted sans can add emphasis while remaining readable. It also works well for editorial callouts, captions, decks, and data-forward graphics, and can support contemporary brand systems that need a neutral but slightly dynamic voice.
The overall tone is contemporary and matter-of-fact, with an energetic forward lean that adds motion without becoming flashy. It reads as calm and professional, leaning toward a utilitarian, workhorse voice rather than expressive display styling.
The design appears intended to provide a straightforward italic sans for everyday typography—clear in paragraphs, consistent across caps and lowercase, and suited to modern layouts where motion and emphasis are needed without sacrificing neutrality.
The italic angle is consistent across cases, and the character set shown favors clarity through open shapes and restrained detailing. Curves are clean and continuous, and diagonal-heavy letters (like K, V, W, X, Y) keep a crisp, linear feel that complements the rounder glyphs.