Sans Other Isbas 13 is a regular weight, normal width, monoline, upright, normal x-height font visually similar to 'JollyGood Proper' and 'JollyGood Sans' by Letradora (names referenced only for comparison).
Keywords: headlines, posters, packaging, children’s, branding, playful, quirky, friendly, handmade, informal, human touch, casual display, approachability, characterful sans, rounded, soft, wobbly, bouncy, chunky.
A soft-edged sans with subtly uneven geometry and a hand-cut rhythm. Strokes stay largely uniform while curves and joins show gentle wobble, giving counters an organic, slightly squarish roundness. Uppercase forms are broad and simplified, with a distinctive, arched-top “M” and a compact, open “G”; diagonals in “K,” “V,” “W,” and “X” feel slightly irregular as if drawn rather than engineered. Lowercase is simple and readable with single-storey shapes and small, rounded terminals, and numerals are open and bold with playful, offbeat curves (notably the “2” and “3”).
Works best for display sizes where its handmade wobble and chunky forms can carry personality—headlines, posters, product packaging, and friendly branding. It can also suit short UI labels or pull quotes when a warm, informal voice is desired, but it will be most effective when not pushed into dense, small-size paragraphs.
The overall tone is casual and approachable, with a cheerful, slightly mischievous personality. Its gentle irregularities create a human, crafty feel—more zine and classroom poster than corporate interface—while still staying clean enough for short reading.
The design appears intended to capture a friendly, hand-drawn sans look with consistent stroke weight and simplified constructions, balancing legibility with a deliberately imperfect, lively texture. It aims to feel modern and clean at a glance, while revealing human irregularity in curves, joins, and diagonals.
Spacing and letterfit appear intentionally loose and airy, helping the heavier shapes avoid feeling cramped. Round letters like O/Q/C stay prominent and smooth, while flat-topped letters (E/F/T) keep the texture grounded, producing a lively but controlled text color in the sample paragraph.