Inline Miwi 2 is a very bold, narrow, medium contrast, italic, normal x-height font.
Keywords: headlines, posters, logos, album covers, packaging, gothic, medieval, dramatic, heavy, aggressive, heritage feel, engraved effect, high impact, ornamental display, blackletter, fractured, angular, spurred, chiseled.
A dense blackletter display face with sharply fractured strokes, pronounced spurs, and a consistent forward slant. Letterforms are built from compact verticals and angular joins, with a carved inline running through the main strokes that adds a cut-metal, engraved feel without breaking the overall darkness. Terminals form pointed beaks and notched corners; bowls and counters are small and tightly contained, producing a compact rhythm and strong word texture. Uppercase forms are ornate and imposing, while the lowercase maintains the same broken, faceted construction and a steady, upright-to-slightly-leaning modularity.
Best suited to display settings where texture and atmosphere are desired: posters, editorial headlines, band or event titling, branding marks, and packaging accents. It performs particularly well for short phrases, monograms, and prominent titles where the inline engraving can be appreciated, rather than long passages of small text.
The font conveys a medieval, ceremonial tone with a hard-edged, confrontational energy. Its chiseled inline detail reads like stamped or engraved lettering, reinforcing associations with tradition, heraldry, and metalwork while keeping a bold, modern punch at display sizes.
The design appears intended to modernize traditional blackletter by combining heavy, angular construction with an engraved inline that adds dimensionality and separation inside the strokes. The goal is high-impact, heritage-leaning display typography that remains legible enough for bold titles while foregrounding a crafted, metal-carved aesthetic.
The inline channel is visually consistent across glyphs and helps separate interior structure in dense black strokes, especially in capitals and rounded forms. Numerals follow the same blackletter construction, keeping texture consistent in headings and short numeric strings. Spacing appears tight by nature of the compact forms, emphasizing texture over openness.