Sans Superellipse Jasa 2 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Barion' by Drizy Font, 'Stallman Round' by Par Défaut, 'Jetlab' by Swell Type, and 'Motte' by TypeClassHeroes (names referenced only for comparison).
Keywords: headlines, posters, logotypes, packaging, sports, industrial, retro, assertive, mechanical, blocky, impact, strength, economy, retro tech, graphic presence, rounded corners, squared curves, compact, stencil-like, modular.
A heavy, block-built sans with rounded-rectangle construction and softened corners throughout. Counters are tight and often rectangular, with small apertures and minimal internal detail, creating a compact, high-impact texture. Strokes maintain a consistent thickness with squared terminals, and many forms feel modular and engineered, as if assembled from straight segments and rounded blocks. The overall rhythm is dense and dark, with letterforms that prioritize solidity and clear silhouette over open readability at small sizes.
Best suited for headlines, posters, branding marks, and packaging where strong presence and a compact footprint are desirable. It also fits athletic, industrial, and retro-themed graphics, and works well for short bursts of text such as labels, badges, and UI headings where impact is prioritized.
The face projects an industrial, retro-mechanical tone—confident, utilitarian, and a bit arcade-like. Its chunky geometry and compressed openings give it a tough, machine-stamped personality that reads as bold and commanding rather than delicate or friendly.
The design appears intended to deliver maximum visual weight with a controlled, geometric voice, using rounded-rectangle anatomy to keep forms consistent and punchy. Its tight counters and modular construction suggest a display font built to hold together in bold applications and create a distinctive, engineered texture.
Distinctive details include sharply notched joins on several letters and numerals, along with occasional stencil-like separations that reinforce the fabricated, display-oriented character. Curves tend to resolve into squared bowls and rounded corners rather than true circular arcs, keeping the design consistent across uppercase, lowercase, and figures.