Sans Other Vero 2 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'ATF Poster Gothic' by ATF Collection, 'Kolesom' by Frantic Disorder, 'NT Gagarin' by Novo Typo, 'Hockeynight Sans' by XTOPH, and 'Winner Sans' by sportsfonts (names referenced only for comparison).
Keywords: posters, headlines, packaging, stickers, logotypes, playful, chunky, handmade, retro, quirky, attention, warmth, informality, character, rounded, soft corners, irregular, blocky, inked.
A heavy, blocky sans with softly rounded corners and subtly irregular contours that feel hand-shaped rather than mechanically perfect. Strokes are thick and largely monoline, with compact counters and simplified interior shapes that keep letters sturdy at large sizes. Proportions vary slightly from glyph to glyph, creating an uneven rhythm that reads intentionally informal while staying broadly consistent and upright. Numerals and capitals are especially compact and squared-off, reinforcing a dense, poster-like silhouette.
Works best for display settings such as posters, headlines, signage, and bold packaging where its chunky shapes can be appreciated. It can also suit playful logotypes and short callouts, especially in high-contrast layouts that give the counters room to breathe.
The overall tone is bold and friendly, with a humorous, offbeat personality. Its slightly wobbly geometry and chunky forms evoke a casual, DIY sensibility and a retro display vibe rather than a strict, corporate voice.
The design appears intended as a characterful, attention-grabbing sans that prioritizes personality and impact over neutrality. Its softened corners and slightly irregular, hand-drawn construction aim to communicate warmth, informality, and a memorable silhouette in branding and display contexts.
Tight apertures and small counters can darken quickly in longer text, while the softened edges help prevent the shapes from feeling harsh. The design’s unevenness is most noticeable in curved letters and diagonals, which adds character but makes it less suited to precision-driven typography.