Sans Faceted Egby 6 is a very bold, normal width, low contrast, italic, tall x-height font visually similar to 'Hyper Super' by Bisou, 'Ultimatum MFV' by Comicraft, 'Avionic' by Grype, and 'Lobby Card JNL' by Jeff Levine (names referenced only for comparison).
Keywords: sports branding, posters, headlines, esports, packaging, athletic, assertive, futuristic, industrial, dynamic, impact, speed, modern edge, technical feel, branding, angular, beveled, chiseled, compressed, slanted.
A heavy, forward-slanted sans with crisp, faceted construction that replaces curves with planar cuts. Strokes are blocky and consistent, with pronounced chamfered corners and wedge-like terminals that create a cut-metal, speed-oriented silhouette. Counters are tight and geometric, and the overall rhythm is compact with strong diagonals and a high, sturdy lowercase that reads close to the cap height in mass and presence. Numerals follow the same chiseled logic, with squared bowls and sharp notches that keep forms rigid and mechanical.
Well-suited to punchy headlines, posters, and branding that needs an energetic, performance-driven voice—especially in sports, motorsport, and esports contexts. It can also work for packaging and titles where a machined, high-impact look is desired, but is less appropriate for long-form text at small sizes due to its dense counters and aggressive angles.
The face projects motion and impact, combining a sporty urgency with a hard-edged, engineered feel. Its sharp facets and slanted stance suggest speed, strength, and a slightly sci-fi industrial attitude rather than softness or neutrality.
Likely drawn to deliver maximum visual force with a streamlined, speed-inspired slant and a distinctive faceted geometry. The consistent beveling and clipped curves appear intended to evoke machined surfaces and modern technical signage while staying bold and highly recognizable.
The design relies on consistent corner treatments and angled joins to maintain cohesion across uppercase, lowercase, and figures. The strong black shapes and clipped apertures favor display settings where the angular details can be appreciated without filling in.