Sans Faceted Idraf 7 is a very light, narrow, low contrast, upright, normal x-height font.
Keywords: display, headlines, posters, branding, ui labels, techno, futuristic, schematic, precision, minimal, geometric experimentation, futuristic branding, technical labeling, curve faceting, angular, faceted, octagonal, monoline, geometric.
This typeface is built from extremely thin, monoline strokes with crisp joins and frequent chamfered corners that turn many curves into faceted, near-octagonal outlines. Proportions are compact and economical, with a consistent, geometric construction and generous interior counters created by the light stroke. Strokes terminate cleanly with flat ends, and diagonals appear as straight, ruler-like segments; round letters and numerals are rendered as multi-sided forms, giving the design a distinctive planar rhythm across text.
Best suited to display settings where its faceted geometry can be appreciated—headlines, posters, logotypes, and technology-leaning branding. It can also work for short UI labels, diagrams, and product markings where a precise, engineered voice is desired, but its hairline construction benefits from adequate size and contrast.
The overall tone feels technical and futuristic, like labeling on instruments or a schematic drawing rendered with a plotter pen. Its sharp facets and sparse line weight lend a cool, clinical character that reads as engineered rather than expressive, evoking sci-fi interfaces and contemporary minimalism.
The design appears intended to translate a geometric, polygonal construction into a clean sans framework, replacing conventional curves with planar facets for a distinctly modern signature. By keeping the stroke weight extremely light and the structure consistent, it aims to feel like technical lettering while remaining recognizable in continuous text.
The sample text shows a lively pattern of angles and corners that becomes more pronounced in curved-heavy words, where the faceting creates a repeated octagonal motif. Numerals and round letters stand out as emblematic shapes, while straight-sided letters keep a strict, constructed cadence.