Sans Faceted Idlor 4 is a very light, normal width, low contrast, upright, normal x-height font.
Keywords: headlines, posters, branding, ui labels, packaging, futuristic, technical, geometric, architectural, sci‑fi, sci‑fi styling, geometric system, wireframe look, tech display, faceted, angular, monoline, outlined, octagonal.
A crisp, monoline sans with sharply faceted construction: curves are replaced by straight segments, producing octagonal bowls and chamfered corners throughout. Strokes are very thin and consistent, often appearing as a double-line/inline outline rather than a solid stroke, which creates an airy, skeletal color on the page. Proportions are generally tall and narrow with open counters, and terminals are clean and abrupt with little to no rounding. The rhythm feels modular and engineered, with distinctive polygonal rounds in letters like C, G, O, Q and similarly faceted numerals.
Best suited to display settings where its faceted geometry can be appreciated—headlines, posters, logos, and short brand statements. It can also work for UI labels, navigation, or technical diagrams where a schematic, futuristic voice is desired, especially at sizes large enough to preserve its very thin, outlined detailing.
The overall tone is sleek and tech-forward, evoking instrumentation, schematics, and digital interfaces. Its faceted geometry reads as futuristic and slightly industrial, with a precise, constructed feel rather than a humanist or calligraphic one.
The design appears intended to translate a geometric, polygon-based drawing logic into a clean sans, emphasizing precision and a constructed, planar aesthetic. The outlined inline structure suggests a goal of creating a lightweight, high-tech look with strong stylistic signature in both caps and lowercase.
The inline/outlined treatment gives the face a lightweight presence and a graphic, wireframe character that becomes more apparent in longer text. Angled joins and chamfers create strong stylistic consistency across rounds, diagonals, and numerals, making the font feel like it was built from a shared geometric system.