Sans Other Jimo 1 is a regular weight, very wide, monoline, upright, normal x-height font.
Keywords: sci-fi ui, gaming, posters, headlines, branding, techno, futuristic, angular, digital, industrial, digital aesthetic, sci-fi tone, strong identity, display impact, square, geometric, modular, sharp, wide-set.
This typeface is built from straight, monoline strokes with sharply chamfered corners and squared-off curves, producing a crisp, polygonal silhouette. Letters tend toward wide, open proportions with generous internal space, while bowls and counters are rendered as rectilinear shapes rather than smooth arcs. The rhythm is consistent and mechanical, with frequent use of horizontal terminals and stepped joins that give many glyphs a “constructed” look. In text, the uniform stroke and angular geometry create a steady texture, though the hard corners and extended widths make it feel more display-oriented than compact.
It works well for sci‑fi or tech-themed headlines, game titles, interface-style graphics, and striking brand marks where a digital/industrial mood is desired. It’s best used with comfortable tracking and line spacing in display settings, where the angular construction and broad proportions can read cleanly.
The overall tone reads futuristic and technical, reminiscent of sci‑fi interfaces, arcade-era graphics, and industrial labeling. Its sharp geometry and engineered repetition feel intentional and machine-made, giving a cool, controlled voice rather than a humanist or friendly one.
The design appears intended to translate a geometric, grid-based construction into an all-purpose sans concept, prioritizing a futuristic, engineered aesthetic over natural handwriting or classical proportions. Its consistent stroke logic and squared counters suggest an aim for strong visual identity and a clear “digital” voice in titles and short text.
Diagonal elements are minimized in favor of orthogonal structure, so shapes like S, G, and 2 appear as segmented forms. The font’s wide stance increases presence and legibility at larger sizes, while the angular detailing can become visually busy when tightly set or used very small.