Sans Superellipse Asdar 15 is a light, very narrow, monoline, upright, normal x-height font.
Keywords: headlines, posters, packaging, ui labels, branding, minimal, technical, modern, clean, editorial, space saving, modern clarity, geometric system, clean branding, condensed, geometric, rounded, open counters, vertical stress.
This typeface is a highly condensed, monoline sans with a geometric, rounded-rectangle construction. Curves tend to resolve into soft superelliptic corners rather than true circles, giving bowls and terminals a squared-off smoothness. Strokes are consistently thin with crisp joins, and many forms emphasize verticality through tall proportions and compact apertures. Counters are generally open and clear, and the overall rhythm is even and restrained, with minimal modulation and little to no calligraphic influence.
Best suited for space-sensitive settings where a compact, contemporary look is desirable, such as headlines, posters, packaging, and brand wordmarks. It can also work for UI labels and navigational text when a clean, condensed voice is needed, though the thin strokes suggest it will be most effective at moderate-to-large sizes.
The overall tone is cool, modern, and utilitarian, with a quietly stylish, editorial edge. Its narrow stance and rounded geometry suggest a technical, contemporary sensibility—clean and controlled rather than expressive or playful.
The design appears aimed at delivering a sleek condensed sans that packs information tightly while maintaining a refined, geometric clarity. The rounded-rectangle curves and consistent stroke weight indicate an intention to balance modern minimalism with a distinctive, softly squared personality.
Round letters such as O/Q and numerals like 0/8 show the superelliptic, rounded-rectangle logic most clearly, while straight-sided letters (E, F, H, I, L) reinforce the font’s compact, vertical cadence. The lowercase set reads similarly streamlined, with tall ascenders/descenders and simple, uncluttered detailing, helping maintain consistency between headline and text usage.