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Free for Commercial Use

Sans Superellipse Jara 4 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Friez' by Putracetol (names referenced only for comparison).

Keywords: headlines, posters, logos, packaging, game ui, industrial, techno, playful, poster, impact, branding, retro-tech, graphic texture, blocky, rounded, chunky, compact, geometric.


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A heavy, block-built sans with rounded-rectangle (superellipse) contours and a compact, tightly packed silhouette. Strokes are consistently thick with minimal modulation, producing dense black shapes and small interior apertures. Corners are broadly rounded, while many joins and terminals are cut with crisp, squared steps, giving the letterforms a carved, modular feel. Counters tend to be narrow and slot-like (notably in forms such as E, F, S, and 2/3/5), and curves resolve into squarish bowls rather than true circles, creating an overall chunky, engineered rhythm.

Best suited for display applications where strong black shape and bold texture are desirable—headlines, posters, titles, branding marks, packaging, and entertainment or game/UI graphics. It can work for short bursts of copy or signage-style phrases, but the compact apertures and dense rhythm make it less comfortable for extended reading at small sizes.

The font conveys a bold, mechanical confidence with a retro-futurist edge. Its softened corners keep it approachable, while the mass and stepped details suggest arcade, sci‑fi, or industrial labeling aesthetics. Overall it feels assertive and attention-seeking, with a playful toughness rather than a delicate or refined tone.

The design appears intended to deliver maximum impact through thick, rounded-rectangular geometry and a modular, carved detailing system. It emphasizes a strong, contemporary-industrial voice with retro digital cues, optimized for recognition and graphic presence in display settings.

Spacing appears relatively tight and the dense counters can reduce clarity at smaller sizes, especially in longer text. The design’s distinctive internal cuts and slot counters create a strong texture line-to-line, making it visually impactful but best used where the heavy color is an advantage.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸