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Stencil Majy 7 is a very bold, normal width, low contrast, upright, normal x-height font.

Keywords: headlines, posters, logos, packaging, signage, industrial, poster, retro, bold, stencil styling, high impact, graphic texture, industrial tone, geometric, modular, blocky, mechanical, high-impact.


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A heavy, geometric display face built from broad, near-monolinear strokes and simplified, circular/rectangular construction. Stencil breaks are integrated as sharp, often diagonal cut-ins and small bridges that interrupt bowls and joins, producing crisp negative shapes without soft transitions. Counters tend to be compact and the overall silhouettes read as solid blocks, while spacing and widths vary by letter to maintain a punchy, modular rhythm. Terminals are predominantly flat and squared, with a mix of straight-sided forms and clean arcs that keeps the design firmly graphic rather than calligraphic.

Best suited to large-scale settings where the stencil detailing can be appreciated—headlines, posters, logotypes, packaging, and attention-grabbing signage. It also works well for thematic titling in contexts that benefit from an industrial or utilitarian look, such as product labels, event graphics, or bold editorial openers.

The stencil interruptions and chunky geometry create a tough, utilitarian tone with a strong poster sensibility. It feels mechanical and assertive, with a slightly retro, sign-paint and industrial-label energy driven by the deliberate cutouts and bold massing.

The design appears intended to deliver maximum impact with a geometric stencil language, balancing strong, easily recognized letterforms with purposeful breaks that add texture and a manufactured feel. It prioritizes graphic presence and thematic character over subtlety, making it a statement display option.

Stencil gaps are used consistently across capitals, lowercase, and figures, often placed to preserve recognizable shapes while adding a distinctive pattern of slashes and notches. The design favors legibility at larger sizes, where the internal breaks and tight counters become a defining texture.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸